November 11, 2014
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Political perez hilton this is not
November 11, 2014
Copyright © LeftCentral. All Rights Reserved
September 12, 2014
Aitana Guia@the Central
The Muslim Struggle for Civil Rights in Spain: Promoting Democracy through Migrant Engagement, 1985–2010 demonstrates that a key factor left out of studies on the Spanish transition to democracy—namely immigration and specifically Muslim immigration—has helped reinvigorate and strengthen the democratic process. Despite broad diversity and conflicting agendas, Muslim immigrants—often linking up with native converts to Islam—have mobilized as an effective force. They have challenged the long tradition of Maurophobia exemplified in such mainstream festivities as the Festivals of Moors and Christians; they have taken to task residents and officials who have stood in the way of efforts to construct mosques; and they have defied the members of their own community who have refused to accommodate the rights of women. Beginning in Melilla, in Spanish-held North Africa, and expanding across Spain, the effect of this civil rights movement has been to fill gaps in legislation on immigration and religious pluralism and to set in motion a revision of prevailing interpretations of Spanish history and identity, ultimately forcing Spanish society to open up a space for all immigrants.
The following extract is the final section of Chapter 4 “Mosque Building, Catalan Nationalism, and Spain’s Politics of Belonging, 1990-2003.” After discussing why Barcelona is, together with Athens (Greece) and Ljubljana (Slovenia), one of the last three large European cities without a great mosque despite significant Muslim population in the region, the chapter discusses the pressures to culturally assimilate Muslims migrants experience in Catalonia. Read more of this post
September 3, 2014
Sybil Oldfield@Left Central
The following extract is from Thinking Against the Current`: Literature and Political Resistance. It is exclusively published @the Central with the express permission of the author and publisher. Read more of this post
April 29, 2014
I worry that there’s still no official education policy on race equality, discrimination and exclusion. I am anxious about the children who have intersecting inequalities which the system allows to wreck their educational opportunities. I am troubled that so few people even give such matters thought. Maybe it is because equality policies and procedures are in place that people assume issues of race and racism have been addressed?
It sharpens perception to focus on one community, so here’s information about the educational inequality faced by Gypsy, Roma and Traveller pupils.
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April 23, 2014
Paulo Freire’s Pedagogy of Hope, first published in 1992, was written “in rage and love”, passionate in its denunciation of social wrongs and in its assertion of the power of education to release the truth. The book works at both inspirational and practical levels, Freire believing that hope must be secured in practice, in action. In his own life, Freire embodied this integration of love and need for securing social change. His thinking and commitment to the best in humanity informed his engagement in the world. Pedagogy of Hope illuminates Freire’s earlier publications including Pedagogy of the Oppressed (1968) which with sales of over one million copies has had extraordinary impact throughout the world in its analysis of socially and personally transformative education. Read more of this post
April 3, 2014
It was a piquant moment for me, reading that the prominent Human Rights lawyer Geoffrey Robertson QC had been broached to consider instigating legal action. This in response to the ill-considered and mean spirited move by the ‘ Hard line’ Justice Secretary Chris Grayling MP, prohibiting the sending into prisons of books by families and friends under recently imposed restrictions introduced last November via a Ministry of Justice edict, with the Orwellian prefix PSI 30/2013 (Incentives and Earned Privileges Scheme). This policy recalled for me, the redoubtable prison reformer Sir Alexander Paterson, who coined the famous adage `that men (sic) come to prison as a punishment, not for punishment’. Read more of this post
January 9, 2014
[The review contains plot details.]
The child’s perspective provides the film director with an opportunity to observe and implicitly comment on a situation with an unencultured and potentially critical eye. This device has been used in films such as Offside (2006, dir. Jafar Panahi ) where an Iranian girl attempts to watch a World Cup qualifying match between Iran and Bahrain, Pan’s Labyrinth (2006, dir. Guillermo del Toro) where fantasy plays alongside the horrors of war in 1944 fascist Spain, and numerous others.
In Wadjda (2012) the female writer and director Haifaa Al Mansour employs this technique to comment on cultural norms, particularly those affecting women, in present day Saudi Arabia. The film is the first official Saudi Arabian submission to the Oscars and the first feature length film made by a Saudi female. To avoid problems when filming with mixed genders Al Mansour had to direct some outdoor scenes via radio when concealed in the back of a van. Read more of this post
January 5, 2014
Should the First World War be seen principally as a European and world catastrophe or as a British triumph? As we mark the centenary of the Great War, the debate on its commemoration has intensified, with the Education Secretary recently lambasting senior academics for their lack of patriotism. Attacks on the influence of Blackadder are fast becoming just as much a cliché of the ‘revisionist’ school as the clichés the revisionists claim to be dispelling. And where Blackadder is mentioned we can be sure the war poets – and Wilfred Owen in particular – will be the target of the next sneer. Hew Strachan is intent on demonstrating that ‘there was something more between 1914 and 1918 than futility and poems’. Michael Morpurgo came under fire in the Moral Maze for citing Wilfred Owen. More recently John Blake painted a scornful picture of teachers ‘sonorously intoning’ Owen’s poetry, placing much of the blame for what he considers to be the ‘myths’ taught about World War One on the excessive influence of Owen and Sassoon, who he claims, are misleadingly ‘sold as the authentic voice of the front-line soldier’. Read more of this post
December 5, 2013
This outstanding four part drama begins in 1916; it initially concentrates on Phillip Hargreaves (Nikolas Simmonds) and his wife Sarah Hargreaves (Pamela Brighton). The opening scene takes us to the Matthews homestead, where Ben Matthews (Paul Copley) meets a soldier and neighbour (Peter Russell) on leave from Flanders; he is carrying a gun and wearing khaki. The soldier in a passing reference to the Matthews family points out “bet their making a right packet, what with the war and the price of beef and all”. Thus the stage is set for the paradox of the Great War on the home front, as Ben warns his sister that the Police have arrived on the farm to arrest Philip, a socialist and conscientious objector. This prompts Philip and Sarah to organise their departure, while Tom Matthews (Cliff Kershaw) provides the couple with money to make good their escape to London. Sarah’s father does this, even though he is an advocate of war (later attending a pro-war meeting). Prior to leaving Phillip and Tom debate the issue around the dinner table, allowing Philip to forward a developing socialist analysis. Despite the views articulated by Tom in opposition, his position is clearly an ambiguous one; he is reluctant to sanction his son’s premature army call up and refuses to view his son-in-law as a coward. Read more of this post
November 11, 2013
Left Central Book Review
Jonathan Rose has provided a service to the working class, an increasingly ignored and demonised section of UK society; clearly there is more to this maligned group than the sobriquet, Chav. Although such hostility is not new; as the working class portrayal by EM Foster in Howard`s End indicates, the caricature of Leonard Bast, soundly critiqued in this text. Rose compares Leonard Bast with Manchester clerk Neville Cardus, he and a companion we are informed, “talked and talked…not to air our economic grievances, not to spout politics and discontent, but to relieve the ferment of our minds, our emotions after the impact of Man and Superman, Elektra, Riders to the Sea, Pelleas and Melisande, Scheherazade, Prince Igor”. Cardus a brilliant autodidactic represents a highly prevalent though largely forgotten feature of our industrial past. Today readers assimilate classical literature by first buying a`Beginners Guide`, it can only be imagined what the Scottish weavers of the Industrial Revolution would have thought of this. Mill workers carrying out intricate and tough manual labour, while next to them perched on a reading stand was a copy of the Iliad or the Odyssey. They read an entire canon of classical literature this way, an army of working class autodidacts, learning at their work station. Jonathan Rose like the Scottish weavers he so eloquently describes has seamlessly woven a vast collection of working class memoirs into a compelling piece of prose with an essence of John Clare. Read more of this post