January 9, 2014
[The review contains plot details.]
The child’s perspective provides the film director with an opportunity to observe and implicitly comment on a situation with an unencultured and potentially critical eye. This device has been used in films such as Offside (2006, dir. Jafar Panahi ) where an Iranian girl attempts to watch a World Cup qualifying match between Iran and Bahrain, Pan’s Labyrinth (2006, dir. Guillermo del Toro) where fantasy plays alongside the horrors of war in 1944 fascist Spain, and numerous others.
In Wadjda (2012) the female writer and director Haifaa Al Mansour employs this technique to comment on cultural norms, particularly those affecting women, in present day Saudi Arabia. The film is the first official Saudi Arabian submission to the Oscars and the first feature length film made by a Saudi female. To avoid problems when filming with mixed genders Al Mansour had to direct some outdoor scenes via radio when concealed in the back of a van. Read more of this post